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Grades level iconsGrades 7–8
Session time icon1 Session: 90 Minutes Each
Genre information iconPoetry
Resource type iconLessons

A Poem Mix Tape for Road Trips

Catherine Calabro, with inspiration from Rachel Feder, 826michigan
Your students will use free writes, writing games, cheesy pop lyrics, and revision strategies to learn how to make connections between all of the points on their journey of writing a poem.
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Lesson Instructions
What Your Students Will Learn

Your students will learn how poems start and end in different places, and through their own writing, experience how writers make discoveries as they compose.

Common Core Standards
CCSS.ELA-LITERACY.W.7.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters.
CCSS.ELA-LITERACY.W.7.3.C Common Core Standards Icon
Use a variety of transition words, phrases, and clauses to convey sequence and signal shifts from one time frame or setting to another.
CCSS.ELA-LITERACY.W.7.3.D Common Core Standards Icon
Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events.
CCSS.ELA-LITERACY.W.7.4 Common Core Standards Icon
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
CCSS.ELA-LITERACY.W.7.10 Common Core Standards Icon
Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.
CCSS.ELA-LITERACY.W.8.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, pacing, description, and reflection, to develop experiences, events, and/or characters.
CCSS.ELA-LITERACY.W.8.3.C Common Core Standards Icon
Use a variety of transition words, phrases, and clauses to convey sequence, signal shifts from one time frame or setting to another, and show the relationships among experiences and events.
CCSS.ELA-LITERACY.W.8.3.D Common Core Standards Icon
Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events.
CCSS.ELA-LITERACY.W.8.10 Common Core Standards Icon
Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.
What You Will Do
Session 1
Timer
90 Minutes
In this workshop, we think about where to start and how to make connections between all the points on our journey of writing a poem. Through a zigzag of interruptions to our writing (some planned, some spontaneous), we’ll arrive at strange (but satisfying!) places to end our poems. By the end of the session, we'll have poems that serve as a kind of roadmap, but we'll still expect many surprises along the way.
Introduction :

Poems come from all places and transport us to all places, and usually, the poems that jar us most take us somewhere totally unexpected. In this workshop, we think about where to start and how to make connections between all the points on the journey of writing a poem. Through a zigzag of interruptions to our writing (some planned, some spontaneous), we’ll arrive at strange (but satisfying!) places to end our poems. By the end of the day, we’ll have poems that serve as a kind of roadmap, but we’ll still expect many surprises.

This lesson plan was developed through conversation with a poet and scholar I deeply admire, Rachel Feder, who taught wildly fun and hilarious poetry workshops for 826michigan. Rachel’s workshops felt like the best kind of journeys because of the genuine joy and playfulness she used to structure activities. Rachel’s exercises always seemed to ask, What if writing poetry could be fun and spontaneous, like games? And what if that game-like spirit opened us up as writers to discoveries both serious and profound? And what if, through revision, we apply the careful thoughtfulness we apply to making someone the ultimate mix tape, weaving the strange, profound, silly, uplifting, and somber together for the ride of a lifetime? Is it all possible? Indeed, it was and is, and we saw it happen again and again through Rachel’s poetry games.

We originally based this lesson around multiple music and poetry games — students listening to classical music and transcribing their thoughts and feelings onto sheet music, for example, or having someone play live music in response to a poem. But in the end, just a few of the games — the ones that don’t require live musicians — worked best.

Session 1:

In this lesson, students will use free writes, writing games, cheesy pop lyrics, and a new pair and share revision strategy to think about where to start and how to make connections between all the points on our journey of writing a poem.

You Will Need
  • Note cards or scraps of paper
  • Sample/model poems
  • Optional: Copies of Dean Young’s poem “Luciferin”
  • Optional: Copies of Elizabeth Bishop’s “One Art”
  • Optional: Copies of Theodore Roethke’s “The Waking”
  • Print-outs or projections of lyrics to cheesy pop love songs or power ballads
  • Optional: Copies of Bryan Adams’ “(Everything I Do) I Do It for You”, written by Bryan Adams, Michael Kamen, and Robert John Lange
  • Optional: Copies of Celine Dion’s “My Heart Will Go On”, written by Will Jennings
  • Writing paper and pencils
  • Highlighters
  • If possible: ELMO-type projector and a timer
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