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Grades level iconsGrades 6–12
Session time icon6-12 Sessions Recommended
Genre information iconMedia, Persuasive
Resource type iconLessons

Call for Change: Editorial Cartoons

KQED Education
This lesson from KQED Education asks students to choose an issue they care about and create an editorial cartoon advocating for change on a local, national, or global level.
What Your Students Will Learn

Students will learn about the genre of editorial cartoons and create their own, using symbolism and details to express their opinions on an issue they care about.

Common Core Standards
CCSS.ELA-LITERACY.W.6.4 Common Core Standards Icon
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
CCSS.ELA-LITERACY.W.6.5 Common Core Standards Icon
With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.
CCSS.ELA-LITERACY.W.6.6 Common Core Standards Icon
Use technology, including the Internet, to produce and publish writing as well as to interact and collaborate with others; demonstrate sufficient command of keyboarding skills to type a minimum of three pages in a single sitting.
CCSS.ELA-LITERACY.W.7.4 Common Core Standards Icon
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
CCSS.ELA-LITERACY.W.7.5 Common Core Standards Icon
With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed.
CCSS.ELA-LITERACY.W.7.6 Common Core Standards Icon
Use technology, including the Internet, to produce and publish writing and link to and cite sources as well as to interact and collaborate with others, including linking to and citing sources.
CCSS.ELA-LITERACY.W.8.4 Common Core Standards Icon
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
CCSS.ELA-LITERACY.W.8.5 Common Core Standards Icon
With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed.
CCSS.ELA-LITERACY.W.8.6 Common Core Standards Icon
Use technology, including the Internet, to produce and publish writing and present the relationships between information and ideas efficiently as well as to interact and collaborate with others.
CCSS.ELA-LITERACY.W.9-10.4 Common Core Standards Icon
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1-3 above.)
CCSS.ELA-LITERACY.W.9-10.5 Common Core Standards Icon
Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions should demonstrate command of Language standards 1-3 up to and including grades 9-10 here.)
CCSS.ELA-LITERACY.W.9-10.6 Common Core Standards Icon
Use technology, including the Internet, to produce, publish, and update individual or shared writing products, taking advantage of technology’s capacity to link to other information and to display information flexibly and dynamically.
CCSS.ELA-LITERACY.W.11-12.4 Common Core Standards Icon
Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1-3 above.)
CCSS.ELA-LITERACY.W.11-12.5 Common Core Standards Icon
Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions should demonstrate command of Language standards 1-3 up to and including grades 11-12 here.)
CCSS.ELA-LITERACY.W.11-12.6 Common Core Standards Icon
Use technology, including the Internet, to produce, publish, and update individual or shared writing products in response to ongoing feedback, including new arguments or information.
About KQED Education

KQED is the public media station serving the San Francisco Bay Area. KQED Education Department’s north star is to elevate diverse youth voices by developing young people’s ability to analyze and evaluate information sources, create media that powerfully communicates their ideas, and share their unique voices with a broad public media audience so that they experience being part of the public conversation and gain readiness for civic life. Learn more about KQED Education by visiting https://www.kqed.org/education.

Estimated Time
Session 1
Timer
30 Minutes
Introduce the Project
Session 2
Timer
60 Minutes
Session 3
Timer
60-90 Minutes
Session 4
Timer
60-90 Minutes
Create a Draft
Session 5
Timer
60-90 Minutes
Revise and Edit
Session 6
Timer
60 Minutes
Publish and Celebrate!
Introduction :

In this lesson, adapted from KQED Education’s Call for Change project, students will choose an issue they care about and use that interest, curiosity, or passion to create an editorial cartoon commentary advocating for change on a local, national or global level.  

KQED Education Submission Guidelines:

  • This project is open to middle and high school students worldwide. KQED asks that university and elementary students not submit to the showcase. 
  • All student work is published as it is submitted on KQED’s Youth Media Showcase. This project is not a contest. If KQED Education or your local public media station want to broadcast a student piece, they will reach out for more extensive permissions.  
  • See more information and submit your work on KQED’s project page.

 

Materials

See materials listed at each step. Additionally, you will need:

Other Support Materials: 

KQED’s list of media-making tools, including no-cost access to some web-based tools

Session 1 : Introduce the Project
You Will Need
Before You Start
  1. Review KQED’s Submission Requirements to submit student work. 
  • Submission requirements: Step-by-step instructions
  • Editorial cartoon file requirements:
    • Image(s) (10MB or less)
    • File formats: jpg, png, pdf 
    • Thumbnail image to display on showcase (2MB or less)
    • Title, brief project description and short producer’s statement 
  1. Optional, but recommended: Plan to make your own Call for Change project as a model. Going through the steps from start to finish is invaluable for guiding students. Peer mentor texts are also key, but there you only have the finished product. You’ll be able to model the brainstorm, drafting and production process, and use your own model to practice KQED’s peer feedback protocol (or any protocol you use).

 

Educator Note: Media Making in a Classroom Setting

Before you begin, confirm which digital platforms/tools students can choose from to draft their cartoon in STEP 4. You don’t need to be an expert media producer or artist to help students get started creating. In STEP 4, you’ll find slides to introduce the basics of Adobe Express and Canva—and there’s an entire internet out there of how-to videos and articles on these tools, and others. Your job is to set up students with the basics AND put a media workshop structure in place to help students stay on track.

If your students are new to making media, or if you don’t yet have a workshop structure in place, we recommend KQED’s media workshop guidelines: 

1. Establish or reinforce classroom norms and routines for when students are making media in your classroom. 

    • Make sure they know how to charge their device and access headphones or other equipment they need.
    • Show them how to seek help from how-to videos or classmates before asking you.
    • Discuss openly that creativity can feel risky and weird. It’s awkward to speak into a mic or try an art form you’re not familiar with. Involve students in coming up with norms for supporting each other as they create. This is another place where your experience making a model will come in handy.

2. Get students signed on to the digital production tool, if you’re using one. Make sure they all have access and know how to log in. Do this whether you are all using the same tool or giving them a choice of tools. This is a great time to practice your media workshop norms and routines! 

Some tools like Soundtrap and WeVideo let you create class groups. We recommend each class period be its own group with its own class code.

3. Walk students through the very basics of the tool:

    • How to start and save a new project
    • How to download/turn in a finished project 
    • How to record a script into the tool, if relevant 
    • How to add music, images and sound effects by uploading them OR by using the built-in library, if relevant 
    • Reinforce what they can do if they run into tech issues (ex: how-to videos or ask a peer before asking you)

4. For audio and video projects: decide where students will record. One of the biggest challenges with audio and video production in a classroom is finding quiet spaces to record scripts. Perhaps an even bigger challenge is getting middle and high schoolers to record where their friends can see or hear them. Here are suggestions from educators who have solved this issue: Students leave the room individually or in pairs to record in the hallway or a nearby empty classroom. Others record at home. Reserve the library or theater space, if you have one, so students can spread out enough to record. Arrange for students who can’t record at home to record during breaks, lunch or prep periods.

5. Reinforce norms and routines every day you make media in class.   

How To Begin

10 Minutes

Why this project? Young people are leading the way as advocates for change on a local, national and global level. The genre of editorial cartoons combines personal experience and/or artistic interpretation with research-based evidence to help young people connect with an audience beyond the classroom and share their ideas for how to make the world a better place. 

This project is about choice and voice. Students should choose an issue they care about and use that interest, curiosity or passion as the starting point for their Call for Change project.

STEP 1

10 Minutes

Before giving students the project checklist, share your commentary model and/or talk about why this project is a good fit for your class. These reasons may include: 

  • Empowering them with the research and media-creation skills to articulate their views on important issues 
  • Supporting their participation in civic life by expressing their voices as members of a democratic society 
  • Encouraging them to publish their work, perhaps for the first time, to build a positive digital footprint or add to a portfolio of work 
  • Connecting class content and skills to issues in your local community or to youth-led movements nationally and globally. 
  • Building on other projects you’ve done or plan to do

In addition to your own model commentary, you can share examples of this project from KQED’s youth media showcase or media by or about youth advocates. Note that students will also analyze two youth mentor texts in Step 2. These first examples will instead provide students with an example of the finished product, and offer early inspiration for content ideas. 

STEP 2

20 Minutes

Next, distribute copies of the Call for Change Editorial Cartoons: Student Project Checklist that will serve as their road map to the project process, as well as links to key materials they’ll use along the way.

Finally, review the Call for Change Editorial Cartoons Single-Point Rubric together, before you begin the project, so students know what success looks like from the start.

Session 2 : Analyze
You Will Need
STEP 1

30-60 Minutes

Show students slides 1-4 in What is persuasive commentary? and work together to analyze peer-created Call for Change editorial cartoons. This guided activity is essential because it will show students what they’ll be making and help them practice media analysis and listening skills. 

Approach the analysis phase the same way you usually do when asking students to read and understand course material. We recommend analyzing at least one cartoon together as a class, then offering time for small group and/or independent practice. The graphic organizers above are simply guides for this process, though students should feel welcome to use the analysis methods they are most familiar with. 

Educator Note: For a deeper look at the history of editorial cartooning in the United States before students make their own, check out The Power of Art: the Watchdog Role of Editorial Cartoonists from the News Literacy Project’s Checkology site.

If time allows, you may also introduce students to the life and career of Roz Chast, an editorial cartoonist for The New Yorker, with the 826 Digital lesson Find Your Funny with Roz Chast.

Session 3 : Brainstorm
You Will Need
STEP 1

60-90 Minutes

After analyzing mentor texts, students will be ready to brainstorm and choose their topic.

If students are unsure which issue to choose, check out KQED’s Above the Noise collection on PBS LearningMedia, which unpacks current issues through the lens of data, historical context and multiple perspectives. All Above the Noise episodes come with a student view guide, glossary of Tier 2 vocabulary, and transcripts in English and Spanish. 

Teachers have also referred students to ProCon.org, Pulitzer Center Issues, Facing History and Ourselves: Current Events in the Classroom, or the New York Times Learning Network to help decide on an issue.  

For editorial cartooning, students should decide on an issue using the resources above to find their spark. For Mark Fiore, who won the Pulitzer Prize for editorial cartooning in 2010 and 2018, his spark usually comes from a headline or phrase in an article or video about a news event or current issue. Once he finds that spark, he builds a cartoon around it. 

Show the students Fiore’s “Cartooning in Place” video about how he finds his spark. Then, guide students to discover their spark by viewing or reading about their chosen issue. 

Educator Note: At the brainstorming stage, students should look at headlines, photographs, news articles, or videos, but not other editorial cartoons, so they can find an original spark related to their chosen issue.

Session 4 : Create a Draft
You Will Need

Media making tools:

Slides: Canva how-to basics

STEP 1

60-90 Minutes

Editorial cartooning has a long history in the United States and draws on a rich visual and symbolic vocabulary to communicate complex ideas in a creative, accessible way. Remind students of the visual symbols they analyzed earlier and encourage them to think about how to communicate that message symbolically and not solely through literal or representational drawing. If they can’t accurately draw the governor or mayor, for example, they can use more abstract symbols to communicate their views on the issue in question. 

Just as cartoonists use digital tools to draft and refine their work, students may opt to use digital tools like Canva or Adobe Express to create their cartoon, after they complete the quick sketch in the graphic organizer. Remind students that no matter how they draft their piece, they should focus on incorporating symbolism into their cartoon.

Session 5 : Revise and Edit
You Will Need
STEP 1

30-60 Minutes

First, students will participate in providing peer feedback.

Remind students that feedback is an essential part of the creation process for students, as well as professional filmmakers, podcasters and cartoonists. If giving peer feedback is already part of your classroom routine, use whatever format students are used to. KQED’s feedback protocol helps students support each other and reflect on the feedback once they receive it. 

STEP 2

30 Minutes

Once students have completed the peer feedback process, encourage students to immediately revise and edit their work while the feedback is fresh on their minds.

Session 6 : Publish and Celebrate!
You Will Need
Before You Start

There are so many ways to publish, share, and celebrate your students’ incredible work and efforts! You’ll find directions and tips for submitting to KQED Education below, but you may also consider: 

  • A Gallery Walk 
  • Publishing select cartoons in your school’s newspaper, literary magazine, or other student produced outlets
  • Displaying cartoons in your classroom and/or hallway 

We strongly encourage your students to submit their work to KQED Education, where all student submissions will be published on their Youth Media Showcase! This is an exciting opportunity for students to get their work published, share their voice with an authentic audience beyond your classroom, and add to their digital portfolio.

Educator Note: If you choose to direct students to submit to the KQED Education Student Showcase, we strongly recommend going through the submission process yourself first (without submitting) to better understand the requirements and process, as students will experience it. 

STEP 1

60 Minutes

Display KQED Education’s Submitting to the Showcase slides.

In KQED’s Student Showcase, student work is published as it is submitted. We recommend reserving most or all of a class period to publish and celebrate! Many teachers put the showcase site on a screen where students can see and appreciate each submission as it appears at the top of the feed! 

To submit to KQED Education, begin by reviewing their submission requirements for educators below. Students should complete the submission form template so they (and you!) have everything they need to publish.  

Educator Note: Student creators retain the rights to the media they publish on the Youth Media Showcase. A teacher, student or parent can request a piece be removed from the Showcase at any time by emailing ymc@kqed.org.  

Publish on KQED’s Youth Media Showcase!

    1. Create an account on the Youth Media site and get a submission code. Students do not create accounts. Your code allows students to submit their work (recommended), or you can submit on behalf of students. 
    2. Students should complete a graphics submission form template before submitting, so that they have everything ready to go. The submission code is a key part of the submission template. Here are student-facing slides all about submitting. We suggest pre-filling your code for students. (Citation guidelines
    3. Make sure sharing permissions are open. If using a Google Drive link, go over how to open permissions to “everyone can view.” If submitting using YouTube or Soundcloud, submissions should be “public” or “unlisted,” not private. Student work will not be visible on the showcase if it is published without permissions. 
  • Celebrate and share widely! Each student submission will have a unique URL, which students can then share with family, school and the wider community.

The KQED Education Showcase is only the first stop. After you submit, each student submission has a unique URL that can be shared with:

  • Families and the school community
  • Community or nonprofit organizations connected to the issue 
  • Other publishing opportunities for young creators (youth film festivals, district events, other contests or challenges) 
  • Individual elected officials and stakeholders connected to the issue
  • City council, school board or associated committees
  • NGOs, governmental departments, universities and research institutions

If you are doing an Action Civics project, your students’ media pieces can be part of a wider campaign. Please share other ideas for where students can make their voices heard by email us at ymc@kqed.org 

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by Gem Carmella, Ministry of Stories and BBC History

Media

In this Lesson, students will learn how to write comedy sketches inspired by "Monty Python’s Flying Circus."

Grades 5–6
Lessons
A Superpowered Comics Lesson

by Ashlyn Anstee, 826LA

Fantasy/SciFi
Media
Narrative

Using the classic battle between superheroes and villains as inspiration, students will create their own twist on a superhero comic, featuring believable characters and Marvel-worthy dialogue.

Grades 8–12
Lessons
It Ain’t Just Bananas

by Kelly Jones, 826 New Orleans

Informational
Poetry

Through writing, drawing, mapping, and researching a chosen fruit, students will become more familiar with the often complex history of food and how people access it.

Grades 6–8
Lessons
Artifact Detectives

by Louise McCune, 826 Valencia

Informational
Narrative

Working as budding archaeologists, students use artifacts as inspiration for several short writing pieces.

Grades 7–8
Lessons
Concrete Poems

by Mallory Miller, 826 Digital Educator Leader

Narrative
Poetry

In this lesson, students will construct a short narrative told through concrete poems.

Grades 6–12
Lessons
No Lab Coats Required: The Poetry Laboratory

by Katie Manning and Brandon Brown, 826LA

Poetry

Students enter The Poetry Laboratory, no lab coats required, and use methods of observation and playful strategies to embark on the process of writing poetry.

Grades 9–12
Lessons
The Uncommon Essay for the Common Application

by Marya Spont-Lemus, 826CHI

Narrative

Through brainstorming and drafting activities, students will learn the basics of personal narrative writing and craft an essay that they can use for college, scholarships, job applications and more.

Grades 7–12
Lessons
Where I’m From Poems

by 826 National

Poetry

Inspired by George Ella Lyon’s original poem, this lesson guides students through naming the people, places, and things that have shaped them.

Grades 7–8
Lessons
A Poem Mix Tape for Road Trips

by Catherine Calabro, with inspiration from Rachel Feder, 826michigan

Poetry

Your students will use free writes, writing games, cheesy pop lyrics, and revision strategies to learn how to make connections between all of the points on their journey of writing a poem.

Grades 7–9
Lessons
Details (Golden), Character (Immortal), and Setting (Rural India)

by Dave Eggers, 826 Valencia

Narrative

Over a flexible series of activities, students will learn to draw details from real life to create unforgettable characters and compelling stories.

Grades 7–9
Lessons
How to Write a Fan Letter Without Getting a Restraining Order

by Lisa Lutz, 826 Valencia

Informational

In this lesson by a young adult author and self-confessed superfan Lisa Lutz, students will learn letter-writing tips and create a fan letter.

Grades 11–12
Lessons
The Great College Essay Project: Write Your Way In
by 826 National and Reach Higher

by Kyley Pulphus, 826 New Orleans

Narrative

This lesson supports college-bound students in writing compelling personal statements. Students will go from blank page to finished draft as they brainstorm, develop, and analyze personal statements.

Grades 7–12
Lessons
The Pandemic and Creative Communities

by Dr. Anne Desrosiers and Precediha Dangerfield, 826 Valencia

Narrative
Poetry

The COVID-19 pandemic changed our lives. This lesson will support students in processing the changes in their everyday lives and help them to identify the creativity their community has exhibited.

Grades 9–12
Lessons
Change the Ending, Take Back Your Power

by Cristeta Boarini, 826 MSP

Fantasy/SciFi
Narrative
Poetry

In this lesson, students explore the genres of historical and speculative fiction before they reimagine a time they felt powerless and write a different outcome.

Grades 5–6
Lessons
Whining Effectively; Or, How to Persuade Your Parents

by Abigail Jacobs & Taylor Jacobson, 826 Valencia & 826LA

Persuasive

This lesson teaches students to write proposals so convincing no parent can resist them.

Grades 6–8
Lessons
Infinite Recess

by Emily Clader & Daniel Reck, 826michigan

Fantasy/SciFi
Narrative
Poetry
STEM

Students will create infinite poems using fractals, imagine life on a doughnut, and speculate about a universe where time goes crazy. Along the way, they'll explore cool, new math facts and concepts.

Grades 6–8
Lessons
Writing to Discover

by Allison Peters, 826michigan

Fantasy/SciFi
Narrative

Discover what’s possible through writing. In this lesson, students will write a thrilling new story about their future selves inspired by their curiosity and imagination.

Grades 7–9
Lessons
Meet Your Protagonist!

by Ryan Harty, 826michigan

Narrative

By examining patterns in engaging published stories and applying a set of meaningful prompts, students will learn how to develop well-rounded characters that readers really care about.

Grades 5–6
Lessons
Fantasy Sports: Designing Games That You (or Elves or Dragons) Want to Play

by AT Bianchi & Kati Shanks, 826michigan

Fantasy/SciFi
Narrative
STEM

In this lesson, students imagine a fictional sport for fantastic beings, create a statistic for that sport, and write a newspaper article about the championship game.

Grades 7–12
Lessons
Inheritance: A Family Interview Project

by Cristeta Boarini, 826 MSP

Narrative

Students will identify something they have inherited from their families, conduct interviews, and write a narrative essay. This lesson is especially well suited for English Language Learners.

Grades 8–12
Lessons
Talking to Ghosts: Stories in the Cities of the Dead

by Aran Donovan, 826 New Orleans

Informational
Media
Poetry

Students (virtually) explore a local cemetery and write a monologue from a famous person buried there, including facts from their research and imagined details from a mapping exercise.

Grades 4–12
Lessons
Essential Words: Letters of Gratitude to Essential Workers

by Cristeta Boarini, 826MSP, and Skylar Burkhardt, 826 National

Informational
Narrative
Persuasive

Few expressions of gratitude are more meaningful than a personalized letter. In this lesson, students reach out to essential workers and return their acts of service and kindness by giving thanks.

Grades 9–12
Lessons
Cataloging Gratitude

by 826 National

Poetry

What happens when we start from a place of gratitude? In this lesson, students will use Ross Gay’s "Catalog of Unabashed Gratitude" as a catalyst for a daily gratitude journal.

Grades 6–12
Lessons
Dear Election

by 826 New Orleans

Narrative
Persuasive

In this lesson, students have an opportunity to write a letter expressing their views on issues that matter to them most surrounding an election.

Grades 6–8
Lessons
State Your Claim: Argumentative Writing

by Alana Herron, 826 Digital Educator Leader

Persuasive

Students will craft an argument about a controversial topic they hold a personal connection to and record their argument to persuade their audience.

Grades 6–10
Lessons
Looking Out the Window: A Place Memoir

by Aarti Monteiro, 826NYC

Memoir
Narrative

Emotions play a big role in how we remember places important to us. Students explore this notion by writing memoirs, using plot, dialogue, and description to bring their stories to life.

Grades 5–6
Lessons
Build Your Own Treasure Hunt

by Neil Gordon, 826LA

Informational

Using precise, clear instructions, each student will create a treasure hunt document that provides clues for finding a treasure hidden in a location of their choosing.

Grades 6–7
Lessons
#SaveOurSlogans

by Meredith Goldberg-Morse, 826LA

Media
Persuasive

In this lesson, students write about a cause that they are passionate about, imagine how they can create change, and come up with slogans to convince other people to take action.

Grades 6–12
Lessons
Bilingual Poetry and the Power of Voice

by Summer Medina, 826NYC

Poetry

Self-power comes from many places. In this Lesson, students will discover the power that comes from speaking and writing in multiple languages through poetry.