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Grades level iconsGrades 5–12
Genre information iconFantasy/SciFi, Narrative
Resource type iconLessons

Heroes (and Villains, Mentors, and Sidekicks) of the Future

by Tony Weaver, Jr., educator and author of the graphic novel Weirdo
What makes a hero? In this lesson, students will develop a complex character that defies traditional archetypes and then write a superhero story featuring that character.
About the Author

Tony Weaver, Jr. is an award-winning writer and educator who creates diverse stories that make young people feel seen and valued. After seeing the impact that media stereotypes had on students in his community, Tony embarked on a journey to create new media narratives that would challenge the status quo. He is the author of Weirdo, a graphic novel for middle grades that celebrates self-acceptance and belonging.

This lesson is part of 826 National’s 2026 anthology project. Please visit Write Your Power with Tony Weaver, Jr. to find a video from Tony, a facilitator guide, and more.

What Your Students Will Learn

In this lesson, students will develop a complex character that defies traditional archetypes.

Common Core Standards
CCSS.ELA-LITERACY.W.5.3.A Common Core Standards Icon
Orient the reader by establishing a situation and introducing a narrator and/or characters; organize an event sequence that unfolds naturally.
CCSS.ELA-LITERACY.W.5.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, description, and pacing, to develop experiences and events or show the responses of characters to situations.
CCSS.ELA-LITERACY.W.6.3.A Common Core Standards Icon
Engage and orient the reader by establishing a context and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
CCSS.ELA-LITERACY.W.6.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters.
CCSS.ELA-LITERACY.W.7.3.A Common Core Standards Icon
Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
CCSS.ELA-LITERACY.W.7.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters.
CCSS.ELA-LITERACY.W.8.3.A Common Core Standards Icon
Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
CCSS.ELA-LITERACY.W.8.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, pacing, description, and reflection, to develop experiences, events, and/or characters.
CCSS.ELA-LITERACY.W.9-10.3.A Common Core Standards Icon
Engage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events.
CCSS.ELA-LITERACY.W.9-10.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters.
CCSS.ELA-LITERACY.W.11-12.3.A Common Core Standards Icon
Engage and orient the reader by setting out a problem, situation, or observation and its significance, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events.
CCSS.ELA-LITERACY.W.11-12.3.B Common Core Standards Icon
Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters.
What Your Students Will Produce

Students will design a complex character and create a piece of superhero fiction that features this character.

Session 1 : Heroes (and Villains, Mentors, and Sidekicks) of the Future
Before You Start
  • Determine how you will split students into groups for STEP 1. 
  • Select which mentor text you’d like students to read in STEP 4. If time allows, you can do both!
  • In this lesson, students will imagine new characters in the genre of superhero fiction. We suggest redirecting students away from using weapons and physical violence in their writing and encouraging them to explore more creative, whimsical, and fantastic possibilities.
  • If time allows, we suggest teaching Heroes (and Villains, Mentors, and Sidekicks) of the Future and Bold New Worlds together. Students can develop a character in this session and then use that character in the Bold New Worlds prompt. 

 

This lesson aligns with the following CASEL Competency: 

  • Self-Awareness
    • Integrating personal and social identities
    • Identifying personal, cultural, and linguistic assets
STEP 1

5 Minutes

To begin, ask students to take out their writing journals or a piece of paper. Tell them they’ll have one minute to draw a superhero—any superhero. They can draw their favorite superhero or simply the first superhero image that pops into their head. Stick figures and messy sketches are welcome here—the goal of this quick sketch is simply to capture the first image of a superhero that comes to mind. 

After one minute, invite students to share their images with a partner or small group. Then, ask for volunteers to share features of their sketches: what physical attributes, costumes/clothing, or special gadgets did they include? Note common elements on the board. 

Share with students that their mission today is to create a new character to be featured in their own superhero story. The catch? This character should be entirely original (unlike any other character they have read about or seen in shows or movies). It should also demonstrate some unlikely or unexpected qualities. Maybe their character is a hero who is irrationally afraid of cats, or a villain with a secret motivation to find some true friends—they can let their imagination soar.

Remind students that they already know a lot about characters that typically show up in superhero fiction—you may even have some superhero experts in the room! From the books they’ve read to the movies they’ve watched, they likely have clear ideas about what to expect from a hero versus a villain, for example. 

Then share that there are certain types of characters in stories that appear so often, and in such common ways, that they are known as character archetypes

  • Character archetype: a fictional character type that demonstrates a universal pattern of behavior or attributes.

 

Share with students that in the next step, students will dig into four character archetypes: heroes, villains, mentors, and sidekicks. Then, they’ll work together to brainstorm a character that defies those expectations.

STEP 2

10 Minutes

Ask students to tear a piece of paper from their journal or notebook, fold it in half, and then fold it in half again, creating four boxes on the page. 

Ask students to label each square with a different archetype: Hero, Villain, Mentor, Sidekick.  

Then, as a whole group, share one-word descriptions that come to mind for each archetype. Gather at least five characteristics, including both external and internal traits, as well as one or two existing example characters for each. For example, a list for the mentor archetype might look like this: 

  • Mentor
    • Wise
    • Trustworthy 
    • Strict
    • Skeptical
    • Neutral, non-flashy clothes

Example: Celine from KPop Demon Hunters

STEP 3

15 Minutes

Next, tell students they will work together to develop a character whose traits go against the traits of these traditional archetypes. They may choose to use this character in their own superhero story.

Divide the students into small groups, with three to four students per group. Assign an archetype to each group (or, have the group choose!). Alternatively, you can work together as a large group and design one character together. 

Distribute the Character-O-Matic — Handout to each student. It’s important that every student records ideas on their own copy, because they may choose to incorporate this character into their superhero story later!

When students finish, ask for a volunteer from each group to present their character, emphasizing the ways in which their character defies archetypal expectations. This is a great time to push students’ thinking further by asking questions about the unexpected traits they came up with. For example, if students share that their hero is lazy, ask them to describe how—do they love to sleep in, are they a master procrastinator, do they play Roblox for hours, etc.? Whenever possible, ask students to connect how these traits and details could be central to the action or conflict in a story.

STEP 4

10-15 Minutes

Next, display the chosen mentor text(s) on pages 1-4 of the Heroes (and Villains, Mentors, & Sidekicks) of the Future — Handout and ask for volunteers to take turns reading it out loud: 

  • “Superheroes Rule” by Salimatou, Grade 5, 826NYC 
  • “Creation and Destruction” by Gavin Erby, Grade 5, 826michigan 

As students read the piece, ask them to star character traits that stand out to them as examples of traditional archetypal traits and circle any unexpected traits. 

Then, ask students to share their thoughts about the character they read about:

  • Which archetype(s) were featured in the story? 
  • How did this character demonstrate expected, universal traits for their archetype? 
  • What traits were unexpected, or unusual? 
  • How did these unexpected traits connect to the conflict and/or resolution of the story?

STEP 5

10 Minutes

Next, pass out another copy of the Character-O-Matic, this time for students to complete independently. Students will now create their own, entirely original protagonist that defies archetypes for their superhero story—it could even be a version of themselves! They may choose any archetype they wish for their main character. 

Note that if students want to use the character they just co-created in their own superhero story, they can! They should then use this time to create a character for a different archetype. They can choose to feature both characters in their story. If students do not want to use the character their group created in their story, that’s okay! 

As students complete the Character-O-Matic, encourage them to think about which aspects of their archetype they may want to keep, and which aspects they’d like to change. For example, they may want to create a hero who is internally motivated to help others but defies some of the common external traits that we expect from heroes. 

Remind students that creativity is their own superpower: while they’ve thought of some excellent examples of these archetypes today, dreaming up a new character is what’s at the heart of this piece. 

Ask and/or display these questions to help get their ideas flowing:

  • Is there a part of yourself you could draw on to design this character? 
    • How could something you admire about yourself, or someone you know well, be amplified into a superpower? 
    • How could something you view as a weakness, either about yourself or someone you know well, be transformed into an unexpected superpower?
  • Which patterns or expectations do you want this character to break, and why?
  • Which patterns or expectations do you want this character to keep, and why? 
  • In what ways might their unexpected character trait(s) be pivotal to the action, or plot, of your story? 

STEP 6

30-60 Minutes

Tell students they will now bring this character to life by writing a superhero story! Share with students that this process is called characterization, or character development. 

  • Characterization: the process of creating a fictional character.

 

Students have already started this process by completing their Character-O-Matics. Now, as they write, they should try at least two strategies that authors use to develop complex, believable characters. Project or share the checklist below, found on page 5 of the lesson handout, and ask students to choose at least two to use in their story—or try them all! 

Characterization Checklist: 

  • Add dialogue! Think about what this dialogue could reveal about your character’s values, identities, and personality.
  • Use figurative language, like similes and/or metaphors, to describe their external traits. 
  • Share their thoughts and feelings to reveal internal traits.
  • Include an “a-ha” moment, or a transformation: how can your character grow or change throughout the story? 

For students who would like more support getting started, share these prompts as a jumping-off point: 

  • Share your character’s origin story—how did they become a hero, villain, mentor, or sidekick? Did they always have their unexpected/unusual trait(s), or was it learned? 
  • Drop the reader into the middle of a scene featuring your character and another of the archetypes you’ve discussed this session. How would the unexpected trait you chose show up in this scene—as a benefit to your character, as a weakness, etc.?

STEP 7

30 Minutes

After students have a complete first draft, it’s time to revise! 

We recommend dedicating at least another thirty minutes, or an extra day, on revision if possible. Feel free to use whichever structures for revision you may have in place, or try some of the following ideas: 

  • Have students use the Characterization Checklist to look for examples of characterization in their story or in their partner’s story. Which strategies did they use well? Where in the story would more characterization be helpful? 
  • Ask students to highlight descriptions of their character’s external traits in one color and then highlight descriptions of internal traits in another color. Which type did they include more of, and what could they add?
  • Pass out the Revision Bingo for Narratives and challenge students to choose at least three revision strategies to complete a horizontal, vertical, or diagonal row. 
  • For more ideas, see 826 Digital’s Guide to Revision.

Conclusion:

826 National wants to publish the next generation of writers—that means the young people in your community and learning spaces! Students, families, and educators can submit writing from this session to 826 National, now through January 20, 2026, for a chance to become a published author. 

Submissions are open now through January 20, 2026! 

 

How to Submit: 

Students and families, submit your work using these links:

Educators and program providers, submit work from multiple young people using this link: 

 

Guidelines: 

  • Our goal is to publish as many students as possible. With that in mind, we recommend a maximum word count of 1,000 for each piece. 
  • Please submit no more than two submissions per student. 
  • We encourage young people to write in their home language, and we welcome submissions in any language. If it is possible to include English translations with the original piece, they are welcome but not required.
  • Due to the high volume of submissions received, not all pieces will be published in the anthology. The 826 National Anthology review team will review all pieces with the following criteria in mind: 

 

  • Organization & Form

The piece creatively explores the science fiction genre and short story/poetry forms, including a variety of narrative and/or poetic devices. 

  • Voice 

The piece is written with a clear and compelling voice. It includes intentional, effective word and stylistic choices, leaving an impact on the reader.

  • Alignment with the Theme & Prompt(s)

The author’s work clearly aligns with the theme and speaks to the prompt(s). The writing explores the prompt in a unique way or point of view. 

 

  • While we are unable to publish all pieces received, each student writer whose piece is submitted will receive a certificate celebrating their words and their work.
  • Students with pieces published in the anthology will receive two free copies of the book, to be published and mailed in June 2026.

 

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